{"id":4590,"date":"2026-09-02T12:46:30","date_gmt":"2026-09-02T12:46:30","guid":{"rendered":"https:\/\/multiperspectives.org\/?p=4590"},"modified":"2026-09-02T12:46:30","modified_gmt":"2026-09-02T12:46:30","slug":"amore-e-cinema","status":"publish","type":"post","link":"https:\/\/multiperspectives.org\/index.php\/2026\/09\/02\/amore-e-cinema\/","title":{"rendered":"AMORE E CINEMA"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Cinzia Medaglia<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Filippo, un giovane aspirante regista, si innamora della showgirl Eleonora. Insieme cercano di realizzare un film, ma gelosia, rivalit\u00e0 e imprevisti complicano il loro progetto.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cinzia Medaglia Filippo, un giovane aspirante regista, si innamora della showgirl Eleonora. Insieme cercano di realizzare un film, ma gelosia, rivalit\u00e0 e imprevisti complicano il loro progetto.<\/p>\n","protected":false},"author":1,"featured_media":4563,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"footnotes":""},"categories":[1],"tags":[31],"class_list":["post-4590","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-1","tag-italien"],"acf":[],"_links":{"self":[{"href":"https:\/\/multiperspectives.org\/index.php\/wp-json\/wp\/v2\/posts\/4590","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/multiperspectives.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/multiperspectives.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/multiperspectives.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/multiperspectives.org\/index.php\/wp-json\/wp\/v2\/comments?post=4590"}],"version-history":[{"count":1,"href":"https:\/\/multiperspectives.org\/index.php\/wp-json\/wp\/v2\/posts\/4590\/revisions"}],"predecessor-version":[{"id":4591,"href":"https:\/\/multiperspectives.org\/index.php\/wp-json\/wp\/v2\/posts\/4590\/revisions\/4591"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/multiperspectives.org\/index.php\/wp-json\/wp\/v2\/media\/4563"}],"wp:attachment":[{"href":"https:\/\/multiperspectives.org\/index.php\/wp-json\/wp\/v2\/media?parent=4590"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/multiperspectives.org\/index.php\/wp-json\/wp\/v2\/categories?post=4590"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/multiperspectives.org\/index.php\/wp-json\/wp\/v2\/tags?post=4590"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}