{"id":4688,"date":"2026-09-04T11:09:11","date_gmt":"2026-09-04T11:09:11","guid":{"rendered":"https:\/\/multiperspectives.org\/?p=4688"},"modified":"2026-09-04T11:09:11","modified_gmt":"2026-09-04T11:09:11","slug":"el-club-dumas","status":"publish","type":"post","link":"https:\/\/multiperspectives.org\/index.php\/2026\/09\/04\/el-club-dumas\/","title":{"rendered":"EL CLUB DUMAS"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Arturo P\u00e9rez-Reverte<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lucas Corso, un cazador de libros antiguos, recibe el encargo de autentificar un manuscrito de Los tres mosqueteros y de localizar los ejemplares existentes de un libro prohibido atribuido al Diablo. Su investigaci\u00f3n lo conduce por un laberinto de asesinatos, conspiraciones y misterios relacionados con Alejandro Dumas, donde los l\u00edmites entre la literatura y la realidad se vuelven cada vez m\u00e1s difusos.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Arturo P\u00e9rez-Reverte Lucas Corso, un cazador de libros antiguos, recibe el encargo de autentificar un manuscrito de Los tres mosqueteros y de localizar los ejemplares existentes de un libro prohibido atribuido al Diablo. Su investigaci\u00f3n lo conduce por un laberinto de asesinatos, conspiraciones y misterios relacionados con Alejandro Dumas, donde los l\u00edmites entre la literatura&#8230;<\/p>\n","protected":false},"author":1,"featured_media":4689,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"footnotes":""},"categories":[1],"tags":[30],"class_list":["post-4688","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-1","tag-espagnol"],"acf":[],"_links":{"self":[{"href":"https:\/\/multiperspectives.org\/index.php\/wp-json\/wp\/v2\/posts\/4688","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/multiperspectives.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/multiperspectives.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/multiperspectives.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/multiperspectives.org\/index.php\/wp-json\/wp\/v2\/comments?post=4688"}],"version-history":[{"count":1,"href":"https:\/\/multiperspectives.org\/index.php\/wp-json\/wp\/v2\/posts\/4688\/revisions"}],"predecessor-version":[{"id":4690,"href":"https:\/\/multiperspectives.org\/index.php\/wp-json\/wp\/v2\/posts\/4688\/revisions\/4690"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/multiperspectives.org\/index.php\/wp-json\/wp\/v2\/media\/4689"}],"wp:attachment":[{"href":"https:\/\/multiperspectives.org\/index.php\/wp-json\/wp\/v2\/media?parent=4688"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/multiperspectives.org\/index.php\/wp-json\/wp\/v2\/categories?post=4688"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/multiperspectives.org\/index.php\/wp-json\/wp\/v2\/tags?post=4688"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}